The world of live production and broadcasting is about to get a powerful new tool: the Atomos Shogun AV-19. This 19-inch rack-mountable monitor-recorder-switcher is a game-changer, offering an all-in-one solution for your production needs. But is it a dream come true or a potential nightmare?
The Shogun AV-19: A Production Powerhouse
Atomos has unveiled a new addition to its lineup, shifting the Shogun series from on-camera monitoring to rack-based production. The AV-19 is a 7RU unit, designed for control rooms, flypacks, and outside broadcast setups. It's a significant move, bringing multi-camera switching, ISO recording, and a stunning 4K display into a single, compact package.
A Shift in Focus:
Atomos is known for its on-camera monitor-recorders, but recent models have evolved. The Ninja TX GO and Ninja TX Monitor-Recorder prioritize connectivity and production features. Now, the Shogun AV-19 takes this a step further, targeting studio and outdoor broadcast environments with its rack-mounted design.
A Shared Visual Experience:
The heart of the AV-19 is its 19-inch, 4K HDR panel, boasting 1200 nits of brightness and covering a wide color gamut. This large display transforms the monitor into a shared reference point for directors and technicians, ensuring everyone sees the same image without huddling around a tiny screen. And with its rack-mounted design and active cooling, it's built for the rigors of broadcast environments.
Multi-Camera Magic:
The Shogun AV-19 handles up to four SDI inputs in multi-ISO mode, recording four isolated feeds at 1080p60, along with a switched program output. This is a live producer's dream, allowing you to capture individual camera angles while creating a live cut. And when you're not in ISO mode, it can record up to 6Kp30 RAW and 4Kp60, depending on the input.
Connectivity Beyond the Ordinary:
This device goes beyond standard I/O. It features an Ethernet port for NDI HX3, enabling video, audio, and metadata transmission over IP networks. This is a game-changer for environments with network cabling, reducing the need for lengthy SDI runs. Plus, it supports various audio connections, including XLR inputs/outputs and embedded audio over SDI/HDMI.
Advanced Features:
- 19-inch 4K HDR touchscreen with 1200 nits brightness and wide color coverage.
- Record up to 4 HD ISO feeds at 1080p60 and a switched program output.
- Capture up to 6Kp30 RAW and 4Kp60.
- Support for ProRes, ProRes RAW, Avid DNx, and H.265 codecs.
- NDI HX3 send/receive for efficient IP-based workflows.
- 12G-SDI and 3G-SDI inputs, HDMI I/O, and internal cross-conversion.
- XLR audio I/O with phantom power.
- Record to CFexpress Type B or USB-C storage.
- Built-in monitoring tools for professional analysis.
The Big Question:
Would consolidating monitoring, ISO recording, and switching into one rack unit revolutionize your workflow, or is it a step too far? Some might argue that keeping these functions separate ensures redundancy and reliability. But for others, the convenience and efficiency of an all-in-one solution are undeniable. What's your take? Are you ready to embrace the future of live production, or do you prefer the traditional approach? Let the discussion begin!
